Wednesday, 12 January 2011

3 Sence Show



One of the nights we wanted to host at the gallery was a collaboration of various resources and skills, to attempt some sort of sensory cohersion. The most responsibility however was placed Tanith Allen.Whose practice aims to help push the understanding and enjoyment of visual work through food.Making work reflecting aspects of what we see through the sense of taste.

The event was scheduled for 27th December. Tanith had been to see the painters at Wimbledon a week earlier and had been developing and tinkering a menu up until Boxing day. Trains were booked a time table had been made for the day. Tanith would be travelling down from Scarborough her home town with some of the food already made and what wasn't put together, already in tiny individual jars. It was all going to run smoothly until disastor struck the train strike had interrupted to Manchester from York .Then once in Manchester she was stranded until she got a train through to Bolton on the pretence that the national rail could then take her to Darwen. On getting to Bolton she found that no trains would be running to Darwen or even Blackburn that day. Then eventually she managed to get a taxi from Bolton to my house in Darwen for just £20.Once at mine we hurriedly began to cook the bits from the menue that couldn't travel. We managed to get out the door at seven statements and trays in hand.

The painters featured were Jonathan Kelly, Freya Guest and Thomas Rapsy this is Tanith's crituque of there work, handed out on the night.


Freya's work , seeming to be inspired by the Surrealist 'dream scapes' of Breton et al bring about an immediate sense of the depiction of other-worldliness.
There is nothing light and delicate about there canvases , their rich vivality is dramatic and intriguing.
To compliment the works the spinach and garlic infused panna cotta is endearingly odd and marvellously rich, its organic shape mimics the figural gestures which repeat throughout Freya's work. Coupled with a parmesan crisp which is intended to add a much needed sharpness to the the dish is influenced by Freya's choice of creamy blues and greens, the overall effect should leave us feeling indulged and perhaps a little displaced.

Tom's paintings centrally address colour and the development of plane over plane .Certain marriages of complimentaries and clashing hues create tensions within the canvas and though his technique is not methodical, it seems the intention is one of new space created through the relationship of line, colour and diffusion;

The dish , which compiles of a saffron and honey bread spread with a sharp but warming fresh avocado purée and dressed with a reduced balsamic jous narrates the spectrum of relationships across Tom's canvases. While the bread is sweet and hints at something familiar and perhaps even nostalgic, it also hints of the exotic and unknown. This marries comfortably with the puree' which, with carraway and lemon, indulges fantasies of travel, while the sharp but sickly reduction fights against this, attacking the taste buds while complimenting the honey sweetened bread.

Jon's work addresses the difficulty of the amalgamation between drawing and painting. These works transcend beautifully into the culinary aspect as similarly, food and visual art can be difficult to unite. There is a primary concentration on the artist's use of bare canvas, giving a very organic impression, alongside vivid reds, pinks and perhaps most synthetic: black.

Flavour-wise, the dish comprises of an almond sponge which is soft, delicate and earthy. However, the sponge holds within it an aggressive, sharp and even exciting surprise. The burst of raspberry coulis illustrates John's use of vivid tones and showmanship of his pallet. Visually, the sponge manifests as an imperfect white cube with just a hint of synthetic colour pushing its way through the barriers of an untouched canvas. While the outside seems to plea for recognition of its purity, an aggressive undertone screams through the edges, and it is this underlying aggression which we as spectators really want to experience.

















Jonathon Kelly - http://www.facebook.com/joonipper

Thomas Rapsy - http://www.facebook.com/profile.php?id=532155800

Freya Guest - http://www.facebook.com/profile.php?id=727248535

Tuesday, 4 January 2011

HAPPY NEW YEAR


Can't wait to move out of my shitty house




Sunday, 26 December 2010

A'LOVELY GALLERY OPENING




christmas drawing: green and red felt tip

GALLERY OPEN 20TH DEC TUT 3RD JAN

Thank you to everyone who came to the opening last night!
It was a overwhelming success !
If wasn't for you dedicated people who braved the cold and treachery I don't think we could of pulled it off. The room was a hub of activity ideas were swapped, music was heavy people were rad and that’s what we like to see.

Although we only have the space till the 3rd of January it should prove to be an amazing experience. The events we've got oozing out of the pipeline are going to be unmissable. So please get involved, get in touch.

We aspire to make a community atmosphere; that everyone feels part of and feels comfortable contributing too. I am in debt to all the people who came for wine and a good time that got roped into helping getting the space ready. I feel honoured that I can call you all friends.

love DAN

















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I can't beleive we even got a apearance from the amazing gurella artist donny, reaking post-post-modern havoc in the arts world were ever he or she goes.
Amazing

don't forget to add our facebook group

photos curtosy of Alice Baldwin

Saturday, 11 December 2010

Monday, 6 December 2010

2nd Year Devastation



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Original idea was to start working with the amazing Alice Baldwin in tactile way...
I cordined off a space in Cavendish to develop an instalation for the second year exhibition.I had to present my ideas behind it in a 15 minuete presentation.Knowing that i'm shite at speeking i put the ideas behind it in a dialogue that i had playing.It went
'Arrangements of objects, given space,can claim to be refered to as instalation.
The objects been given meaning by placement.
The space itself becoming the focus .
Individual objects, in their designated space are there to be regarded and pondered over.
Only in holistic way
The bigger picture is the enviroment .
A thought that you may occupy, an action that has a symbiotic reaction.
An emotion to atribute too.May it be large or small, the constructs of which only exist with a person inhabiting said enviroment.
Without human discourse the idea ceases to exist and the space becomes just a space.
Once again dormant.'

It got turned down whilst i was speaking and then i was told that you couldn't hear what i was saying.As much as i couldn't get my point across and i never can.It seemed like what ever i was saying wasn't important.Fer enough it wasn't but the questions i was then asked by my tutors seemed as though i hadn't been speaking at all.I attributed the measurments of the space 6 by 8ft to the sound.So the sound span round the space at the same speed as the hanging mobiles.Making a cycle every 4.7 seconds.The sound peice defined the objects by the dialogue playing and the way it played emualted the objects in it.


Saturday, 27 November 2010

WHAT A WEEK


As part of the Free For Arts Festival the amzing James Moffat put on MUTE a night full of perfomances of many varieties.This is the footage tell me what you think if you think ewt.



Old post that i forgot about written just after soup kitchen.......

So much mint stuff happened this week, the city was a throbbing with culture and art juiceies.With both the Abandon Normal Devices Festival and the Free For Arts festival running simultaneously it was a week to be reckoned with. Free For Arts so the return of the Sydney Street picture box run by the great Alice Baldwin, something I well wanted to get involved in but actually couldn’t move that night for a terrible man flu had took hold. Plus I couldn’t get my video ready in time. I plan to have it in the link as soon as it’s up and running. That very day I was meant to be driving home to get material because I was meant to be performing the night after at Soup Kitchen for MUTE ran by the great James Moffat.I didn’t go home and through fear of feeling like a total pussy I played a shorter set of new material. I was feeling apprehensive but the num grogginess helped my nerves loads. I ended up deciding to just do three peices.Trees, hands and doyleys, I’ve still yet to see the video. James put together a compilation of all the performers involved in it tats really good.
Interesting, some guy had made a sonic version of the hydron collider and preceded to present his findings in a formal way.Wich was a nice breather of what could have been taken to those wondering from the busy street outside as the most tremendous show of pretence ever. With rowdy revellers thumping down stairs to find a group of people in the dark watching two people scratch pottery balloons for half an hour. Ed Butler did a mind-blowing performance that was a cross between a sound collage to a film and a crazed working men club singer .It kind of reminded me of that amazing seen from Little Voice were Michael Cane gets up on stage to sing ‘its over’ whilst weeping. Amazingly powerful vocals almost Tom Waits-esque.

Shrink
Shrink was bizarre when I first heard about it as an email from a friend from a foundation Feonna Hadcroft .I didn’t know how many people off my course were involved in it .The setting for this piece orchestrated by international artist Lawrence Malstaf.Those taking part are trapped between two sheets of plastic while air is gradually sucked out, leaving them breathing through a tube. The idea was to get people to consider both protection and the threat to survival and that it did seeing my friend in such a fragile state was frightening ever since your little you get told not to play around with plastic bags let alone get in a massive one.
tv coverage :http://www.bbc.co.uk/news/uk-england-11480812
photos :
http://www.flickr.com/photos/tombus65/sets/72157624982936231/
http://www.freeforartsfestival.co.uk/

http://www.andfestival.org.uk/








Wednesday, 17 November 2010

GROTTO



Been helping out down at Islington Mill at one 69 a studio http://one69a.com.
Its screen printing studio thats mint check it out.We've been working on setting up a shop ore christmas called GROTTO.
GROTTO is a pop-up artists' shop in the Northern Quarter. Pop in to get the best unique Christmas presents! From cards and wrapping paper to paintings, prints and sculptures. With prices from 50p to £1300 we have something for everyone!Its in the old mooch gallery 88 oldham street just past 3 quid or less shop.We made some flags and took em down to the switching on of the christmas lights people kept complaining they couldn't see the fireworks.Fireworks are shit and the flag wasn't even a metre across.Get a grip.The advertising was pretty effective people came in saying theyd seen us and wanted to know what it were about.I'm selling christmas cards and luxury crackers for all your twee needs.Its gonna have live printing and bands on more to come soon...
GROTTO
GROTTO
GROTTO
GROTTO
http://www.grotto-shop.com/





photos curtosy of http://www.facebook.com/pages/Manchester-United-Kingdom/Grotto/154387297938083 like it gwan

Sunday, 17 October 2010

DESTROYER OF WORLDS

Speant the evening making cardboard robots with tom.














I DESTROYED HIM